WATCH LONDON PARIS NEW YORK NEW HINDI MOVIE ONLINE FREE
Cast: Ali Zafar, Aditi Rao Hydari.
Producer:- Goldie Behl, Shrishti Arya
Director:- Anu Menon
Release Date:- 2 Mar 2012
appear to be the most preferential genre, notwithstanding the fact that
you can foretell where the narrative is headed a few minutes into the
film. But what sets most rom-coms apart is the implementation of the
theme. It all hinges on how persuasively the narrator recounts and
executes the plot, how compelling the central characters are, how
mesmeric is their chemistry on screen and most importantly, does the
cinematic account have soul?
The Hindi film industry is famed for churning out rom-coms by the dozens
year after year, but just a handful of films dare to defy the
stereotype. LONDON PARIS NEW YORK, directed by first-timer Anu Menon,
is, in all honesty, one of those flicks that dares to be diverse.
LONDON PARIS NEW YORK is a chic rom-com that's filmed -- no prizes for
guessing -- in three hot-n-happening cities of the world. But unlike the
rom-coms churned out in the past, this one's more for spectators with
urban receptiveness and a refined taste for cinema, on the lines of say
an EK MAIN AUR EKK TU or a WAKE UP SID. What also sets this film apart
is the fact that the story unfurls in eight years in three of the
world's most thrilling cities, with the viewer getting a foretaste of
everything that's allied with a rom-com in this globe-hopping voyage.
LONDON PARIS NEW YORK mirrors the torment and ordeals of the twenties,
the most vivid segment of one's life -- when you are taking a call on
what course your life ought to take, you have your first momentous
relationship and most significantly, structure your personality in this
world. This is the story of Lalitha [Aditi Rao Hydari], a middle class
South Indian girl from Chembur [a suburb in Mumbai], who is on her way
to New York to study politics, and Nikhil [Ali Zafar], a rich Punjabi
kid from Bandra [a posh western suburb of Mumbai], who's going to study
film making in London. They decide to hang out together one evening in
London and find that they are completely drawn to each other even as
their future lies on separate continents.
The film follows their special voyage and their love story as they meet
in London, Paris and New York over eight years. The film is in three
subdivisions and each chapter is shot in a manner that mirrors the
psychological state of Nikhil and Lalitha.
Armed with an inventive and ingenious plot, LONDON PARIS NEW YORK owes
its allegiance, to an extent, to the Hollywood movie  DAYS OF
SUMMER than to the atypical Bollywood rom-com. The director makes an
endeavor to be as bona fide and natural as possible, illustrating
sentiments that adolescents go through when they fall in love and also
all that comes with it, including pain, angst and torment when
heartbreak occurs. That's what makes LONDON PARIS NEW YORK an
unblemished and credible take on relationships, with authentic and
identifiable circumstances, germane and relevant dialogue [Ritu Bhatia
and Anu Menon] and no overstated styling of the actors' attire or
Besides, like I indicated at the outset, Anu Menon chucks away the
time-honored prescription of exaggerated drama that we are so
acclimatized to watching in Hindi movies. Instead, she makes the
narrative spirited and vivacious by depicting characters that you
witness in factual life. In a way, the film emulates what one is so used
to watching in our everyday life and that's where the exquisiteness of
the film lies. A contemporary romance that's so credible, so realistic,
However, LONDON PARIS NEW YORK is not devoid of its share of hiccups.
The languid tempo in the first hour, with the narrative getting a little
too verbose and talk-heavy, is a deterrent. Above and beyond, there's
not much of advancement in the story after the two central characters
are introduced. It's only a few minutes preceding the interlude that the
wheels start undulating. What transpires in the second hour shoots the
graph of the movie northwards. The exhilaration builds up magnificently,
leading to an explosive culmination. In fact, the concluding moments --
I'd like to single out Ali Zafar's flare-up -- are worthy of additional
brownie points. The sequence is so brilliant that it reverberates even
after the movie has concluded.
Filmed in three most dazzling cities of the world, the movie boasts of
some enchanting visuals. The director and also the DoP [Sameer Arya]
have the aptitude for fitting camera placement, bestowing the film with
a certain added charm.
Ali Zafar shoulders multiple responsibilities in this movie, which
comprises of composing the songs as well as writing the lyrics. The
actor/composer sticks to the theme of the film and comes up with tunes
that uphold the synergy with the plot and setting of the movie. 'Woh
Dekhne Mein' is, of course, the cream of the crop. The title track is
racy and ear-pleasing.
In TERE BIN LADEN, Ali Zafar made the spectator break into guffaws and
in his subsequent outing MERE BROTHER KI DULHAN, he made you grin and
beam. Perceptibly, one would imagine Ali Zafar to get into the jocular
and frivolous zone yet again in LONDON PARIS NEW YORK. Ali gets to
depict a character that's a far cry from the hackneyed characters one is
so used to watching and I must add, he glows luminously all through the
film, particularly towards the concluding installment in New York. This
motion picture will motivate even his staunch critics to structure an
elevated estimation of him as a performer and revere him as an artiste
of immense caliber.
Aditi Rao Hydari looks stunning, but more significantly, she appears to
capture every moment, every scene most radiantly in this coming-of-age
love story. She has an unadulterated take on how to construe a scene.
What you get to witness is much ahead of the customary expressions and
rejoinders. She appears so unflustered and unperturbed even in the most
intricate moments, which only goes to prove her remarkable credentials
as an actor. Besides, the intimate moments between Ali and Aditi are
aesthetically filmed, not looking forced or an aberration in the scheme
of things. Dalip Tahil and Mantra appear in a cameo.
On the whole, LONDON PARIS NEW YORK is akin to a lungful of fresh air
amidst the hackneyed and passe rom-coms. It's a quirky, witty,
coming-of-age movie that takes a conventional premise and twirls it into
something delightfully unconventional, designed to charm and magnetize
the urban youth. The movie speaks their lingo, mirrors their objectives
and depicts the anguish and elation of falling in love. If you are young
or young at heart, celebrate your weekend by leaping on to this
feel-good earth hopping romance.
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