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WATCH LANKA NEW HINDI MOVIE ONLINE FREE
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Cast: Manoj
Bajpayee, Arjan Bajwa, Tia Bajpai, Yashpal Sharma, Manish Chaudhary, Yatin
Karyekar, Shveta Salve.Producer:- Vikram
Bhatt
Director:- Maqbool Khan
Release Date :- December 9, 2011 |
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SOURCE 1 |
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Part 1
Part 2
Part 3
Part 4
Part 5 |
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Plot :'Ramayana'
has often been adapted on the small screen as well as the big screen.
Perhaps, for the first time, a film-maker has attempted to make a
present-day version of the epic focusing on the relationship between Raavan and Vibhishan. They aren't brothers in this particular case, but
they share a brotherly bond. The relationship goes kaput when they get
into a conflict involving a lady. Their lives, thereafter, are not the
same. Quite an interesting concept for a film. And an attention-grabbing
title too.
First-time director Maqbool Khan borrows the principal characters from
the epic, places them in present-day North India, but modifies the plot
[giving the characters different names as well], thereby giving a
completely novel twist to the tale, which sheds light on the tumultuous
relationship shared by Raavan and Vibhishan. On paper, yes, the concept
does catch your attention, but the true test lies in making the
moviegoer stay glued to the goings-on for the next two hours. LANKA has
some spellbinding moments, but they are few and far between to leave an
indelible impression.
LANKA is an emotional journey of man [Arjan Bajwa] torn between the
loyalty for his mentor Jaswant [Manoj Bajpayee] and the empathy he feels
for Anju [Tia Bajpai], who is trapped and held captive by Jaswant. It's
a journey of a man who would be termed a traitor by some and righteous
by others. LANKA is about love, loyalty, betrayal and justice.
It's apparent that Maqbool understands his characters thoroughly and
gives us an insight into their past to understand them better. But the
film's foremost lapse is its meandering script and the gaping holes
cannot be ignored. We are told that Tia and her parents have been
trapped by Manoj and Manoj seeks sexual favors from Tia time and again.
The first question that crosses your mind is, what actually led Tia's
family to submit to Manoj's unforgivable demands? The subsequent
portions would've made a lot of sense if this issue was addressed,
although Tia fleetingly mentions about it, but offers no back story
about how it all started.
Another point that cannot be ignored pertains to Arjan. If he felt so
strongly about Tia, why doesn't he escape with her, thus setting her
free from Manoj's clutches and atrocities? They decide to do so in the
very end. Why not earlier? Also, the finale is not convincing at all.
The entire drama, which leads to a violent culmination, looks farcical
and is difficult to absorb. Besides, the conflict is resolved in the
most clichéd manner. Clearly, the writer chooses an unconventional
premise, but doesn't squeeze it to the maximum. The slow pacing of the
movie is another turn off.
Notwithstanding the shaky script, Maqbool Khan has handled a number of
sequences with competency. A few dramatic moments, especially the
tension-filled ones, have been handled skillfully. Note the sequence at
the brothel. It's brilliant! Besides, Maqbool's well aware that given
the genre of the film, there's not much scope for songs in the narrative
and a couple of songs that are incorporated, have been done smartly. I'd
like to make a mention of the camerawork, which captures the landscape
as well as the edgy drama with dexterity.
LANKA belongs to Manoj Bajpayee, who delivers a commanding performance.
He handles the toughest moments and carries the smart lines without any
hiccups. Arjan doesn't get many lines to deliver, but he conveys through
his eyes and expressions. He's earnest. Tia gets a few moments to shine.
Yashpal Sharma is bankable. Yatin Karyekar leaves a mark. A capable
actor like Manish Chaudhary is wasted this time. Shweta Salve sizzles in
the item number.
On the whole, LANKA has some shining moments, but they are few and far
between. |
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