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WATCH KAHAANI NEW HINDI MOVIE ONLINE FREE
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Cast: Vidya
Balan, Parambrata Chattopadhyay, Nawazuddin Siddiqui, Indraneil Sengupta,
Dhritiman Chatterjee, Saswata Chatterjee, Darshan Jariwala.
Producer:- Sujoy Ghosh, Kushal Gada
Director:- Sujoy Ghosh
Genre:- Drama,Thriller
Release Date:- 9 Mar 2012 |
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SOURCE 1 |
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Part 1
Part 2
Part 3
Part 4
Part 5 |
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Plot :The
rules of entertainment are altering rapidly. Moviegoers, in the present
day, are diffident about a film wholly centered on grim societal subject
matters. Nor are they enthused about a conventional mainstream motion
picture. What works for the discerning spectator in the current scenario
is an evenhanded permutation. So does KAHAANI encompass the
all-important blend? Let's explore...
This is indeed a favorable moment for a Hindi movie heroine, unlike in
times of yore. She is being looked up to as an actor with strengths,
limitations, failures and accomplishments. She is geared up to conduct
experiments, equipped to explore uncharted territories. This also goes
for one of the most proficient actresses of our times, Vidya Balan. The
famed actress has persistently ambled the untrodden path vis-a-vis her
choice of movies, PAA, ISHQIYA, NO ONE KILLED JESSICA, THE DIRTY PICTURE
and now KAHAANI...
Come to think of it, the Hindi film industry is branded for creating
movies from a male perspective. The women's stories are not really
exemplified conscientiously. But, out of the blue, the souk of
women-centric flicks is fast turning out to be a bankable genre. KAHAANI
is a commanding story, has an authoritative central character, has
several dominant and thought-provoking moments, which makes it an
all-persuasive film.
Vidya Bagchi [Vidya Balan] arrives in Kolkata from London to find her
missing husband. Seven month pregnant and alone in a festive city, she
begins a relentless search for her husband. With nothing to rely on,
except fragments from her memories about him, all clues seem to reach a
dead end when everyone tries to convince Vidya that her husband does not
exist. She slowly realizes that nothing is what it seems. In a city
soaked in lies, Vidya is determined to unravel the truth about her
husband -- for herself and her unborn child, even at the cost her own
life.
A woman on her way to be a mother… it's the biggest changeover in the
life of a lady. And when her spouse vanishes at this crucial juncture,
how do you come to terms with the fact that he has gone missing? People
you approach to seek help assert that there exists no such entity. But
you are certain that this individual exists and that you are carrying
the proof of his existence: his child. The concept is truly striking and
attention-grabbing.
Sujoy, with the skills of a master storyteller, amalgamates a human
story in a thriller format. There is a certain uninhibited genuineness
in Sujoy's direction. Besides, the writing is outstanding [story: Sujoy
Ghosh, Advaita Kala; additional screenplay: Suresh Nair, Nikhil Vyas];
one seldom witnesses such aptitude and deliberation to specifications.
Without doubt, Sujoy gives it his best shot with gleaming sincerity.
Positioned alongside an intimidating environment of Kolkata's tapered
side streets and constricted alleyways, the setting is ahead of credence
in its realism.
KAHAANI is a captivating recount from its commencement to conclusion.
Sujoy has fashioned enough scenes around the plot that keep the viewer
on the edge. Besides, fragments of tongue in cheek humor pop up when you
least anticipate to liven up the solemn plot. Yet, the storyteller never
deviates from the fundamental somber remise. His attempt in infusing
drama and pace in the narrative makes the movie accessible to the
mainstream spectators. Just one itsy bitsy snag: Had the culmination
been lucidly elucidated in a more simplistic fashion for the common man
to decipher, the film would have created an even stronger impact.
Vishal-Shekhar's music is addictive. The title track is akin to an
excursion of the City of Joy, while Amitabh Bachchan's rendition of 'Ekla
Cholo Re' is mesmeric. The cinematography is arresting. The DoP [Setu]
captures the essence of Kolkata magnificently on celluloid.
Post THE DIRTY PICTURE, the admiration for the National Award winning
actress Vidya has scaled woozy altitudes and let me affirm, the
supremely talented actress delivers a performance that's at par with her
former accomplishments. She, very nonchalantly, re-evaluates screen
acting in KAHAANI. She arrives with yet another enlivening, commanding
character in this film and her portrayal of an expecting, frantic lady
on a mission to trace her husband's inexplicable vanishing in an
unfamiliar land is sure to win laurels by assessors and cinegoers
uniformly. This is indeed Vidya's most eye-catching act. Her body
language, her confidence, her vulnerability, her fury, her grief, all
fall upon wonderfully.
Parambrata Chattopadhyay, as Rana, is a revelation. What a tremendous
actor. His sequences with Vidya are truly wonderful. Nawazuddin Siddiqui,
as Khan, proves yet again that he's an exceptional performer. He makes a
stunning impact. Dhritiman Chatterjee is, as always, efficient, Saswata
Chatterjee is effective and Darshan Jariwala is perfect. Indraneil
Sengupta is splendid in a challenging role. The two child actors [the
boy at the lodge and the boy at the tea stall] are a complete natural.
On the whole, KAHAANI works big time because Vidya Balan makes it come
alive. It is several notches above the stuff we've been subjected to in
the past. The movie triumphs in evoking emotions. You experience
compassion, resentment, defenselessness and triumph at a variety of
stages. A wonderful movie-going experience, you come out feeling a sense
of pride, pleasure and fulfillment after having watched KAHAANI. Just do
not miss it. Hugely recommended! |
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